But the week before I went to see Bridesmaids, which is currently raking in box office takings as well as column inches. I don’t normally go in for this kind of film and I have to admit that I only made the trip when it was given high praise on Radio 4. After listening to a lengthy intellectual debate about the film’s feminism, whether women could do this kind of humour as well as men, and if it was acceptable that the main character’s empowerment came from the traditional 50s pursuit of baking cupcakes, I felt I couldn’t miss it. I loved every minute of this comic masterpiece and genuinely found it laugh out loud funny: the rest of the cinema-goers clearly felt the same. I feel I should pay a special mention at this point to the actor Melissa McCarthy, who is truly a comic genius. If you saw her in Gilmore Girls you’ll know that this woman’s range is more elastic than a pair of M&S knickers, and that’s something that can’t be said about many actors. My conclusion was that the film’s feminist credentials remained intact, cupcakes or not.
The response to Bridesmaids shows that I’m not alone; many people enjoy seeing women in comic roles… and in many other roles in fact. Films which give women substantive characters do very well (Calendar Girls, Juno, The Kids are Alright to name a few of my favourites); and yet these films rarely get made. On another recent trip to the cinema I saw the Adjustment Bureau. I sat through the whole thing thinking ‘where are the women?’ Maybe this was because I was incredibly bored, or because I’m a feminist, but the only female character is Matt Damon’s love interest played by Emily Blunt who was pretty but didn’t have much to do. Furthermore, all of the ‘planners’ that decided on the paths of peoples’ lives and *spoiler* finally agreed to let Matt and Emily live happily ever after were men. Who made that decision? Was it a decision or a fait accompli? Either way, a few female characters might have helped anchor this very fictional film into something believable.